Sceneries
At the beginning there is an immediate perception, an impulse that runs through my vegetative system until it reaches the apparatus that connects sensitive perception with the dimension of physical cognition, which transforms perception into language, so that I feel compelled to draw and write.
These immediate drawings and writings in the form of notations (you can call them poems) are the basis for my further elaborations, for novels, paintings and compositions, in collaboration with the collective subconscious that we euphemistically call artificial intelligence
don't be afraid, little Anselino
I am first and foremost a writer. In general, when making art, and specifically when drawing, my intention is to get all the figures and objects I need to stage the telling.
The tricky thing is that I have no factual knowledge of what will happen in the play.
I have only the historical and recent conditions. Historically seen, the story was spoken in my fertile flesh from the sixteenth month of my birth until I was two years old. I could not understand it linguistically or intellectually. My father spoke Italian. You can never get rid of what is written in your flesh.